LotFP or B/X Homebrew class - Priest (non-casting Cleric)

I have some ideas swimming around my head for an adventure/campaign in a low-magic setting.  Instead of having PC classes dedicated to spell casting, I want magic to be something that anyone can access as long as they have the knowledge and equipment and are willing to pay the price.  This rules out Magic-Users, Elves and Clerics.  Most players will want to play as humans and this leaves them with only two choices - Fighter or Specialist/Thief.

To give players a bit more choice in character creation, and to allow for more diverse party make-up, I have thrown together some ideas for Cleric without spells.  I want this class to have the flavour of a Cleric and to fill the same roles in the party as a Cleric, but without all the magic attached.  I decided on three things that make the Cleric unique and define their role in a D&D game: Healing, Turning Undead and Creating Holy Water.  This new class, which I am calling the 'Priest', is based around these three abilities.

All these things are done using magic in the standard Cleric class, so I have found ways to make them more grounded in reality.  Adventurer Priests know how to provide medical care for wounded characters, exploit weaknesses in undead creatures and synthesise a substance that mimics holy water.  Below is a link to a pdf of the nitty-gritty rules for the Priest class.

Priest Class

Method of Room Description Layout, for Dungeons in Adventure Modules

Disclaimer: I am relatively new to the world of published adventures so I am far from an expert on this subject. This post is merely my opinion on how adventure modules could improve their layout, based on the handful of modules I have read so far.

Last weekend I ran Kiel Chenier's 'Blood in the Chocolate' for some friends. The adventure is really well written and the layout of the book is done in a very thoughtful way, with ease of use at the table in mind. One problem I found myself having was that I had trouble finding the information I needed upon entering a room, and had to stop and skim through until I found stuff that needed to be told to the players. I also have similar concerns about the way dungeon rooms in Patrick Stuart's 'Deep Carbon Observatory' are described (I am preparing to run this adventure in the near future). I have come up with some ideas for how to improve on this and make modules (particularly dungeons) easier to run.

For descriptions of dungeon rooms, the following is my suggestion for how to lay them out

Room number and Name (in bold)

What the players see when they first enter the room. Important features are written in bold. Anything in italics can be read aloud to the players.

Exits: List what directions (north south east west, ceiling, floor) there are exits and if they are unusual (e.g. locked, stairs, ladder)

Connections: List what rooms are connected to this one and if the connection is unusual (e.g. locked, stairs, ladder). Written in the same order as the corresponding exits.

• Important Features. These are described in more detail in dot points. The most important information is in the lower level dot points,
  • while more trivial information is in the higher level ones.

I also suggest using abbreviations for certain things and having an easily accessible key to tell the reader what they mean.

Below is an example of this method using the first two levels of a dungeon I am designing.

Key

1, 2, 3, ...	Level number starting top going down
a, b, c, ...	Room number starting south going clockwise
NESWCF	North, East, South, West, Ceiling, Floor
[s]	Stairs
[l]	Ladder
[x]	Locked

1a. Entrance Hall

A cosy corridor with a staircase leading down. The wall directly to the East is decked with large oil paintings.

Exits: C [l], W, N, F [s]

Connections: Roof [l] (0a), Wardrobe (1b), Guest Room (1c), Hall Two [s] (2a)

• Paintings. These paintings all depict mages working miracles, except for the one farthest from the ladder which depicts a centaur. The centaur painting covers up a small, barred window into the Pre-Op Cells (1d).

1b. Wardrobe

This room is filled with racks of clothes. There is a huge wooden cabinet on the north wall.

Exits: E

Connections: Entrance Hall (1a)

• Clothes. There are 10d6 items of clothing in this room excluding the cabinet. They range from exquisite and expensive looking to plain and cheap. About 80% of the clothes are made for women, while the other 20% are for men or unisex.
• Cabinet. The cabinet contains around 20 fur coats made from various animal skins. On the floor there is a small vial of blood with a label. It smells bad in here. The label has the name of a random animal on it, and contains this animal's blood. The fur coats are enchanted so that their wearer appears as the animal they are made from.
  • To activate this magic, the coat must be bathed in the blood of the relevant animal. While worn, onlookers will see the wearer as the animal, but this is an illusion. Touching the wearer causes the illusion to break. The coat must be washed in blood once every day to continue working.
• The back panel of the cabinet can be easily folded out to reveal a secret area behind. This holds coats made from spliced-animals.
  • They work the same as the other coats, but require the blood of the relevant spliced-animal.

1c. Guest Room

A decent sized bed chamber.

Exits: S

Connections: Entrance Hall (1a)

• There is a bed, bathtub, desk (with stationary) and dresser (empty) in here. Not much else.

1d. Pre-Op Cells

This room is divided up into cells with iron bars. There are skeletons in some of them.

Exits: F [s]

Connections: Splicing Room [s] (2c)

• Cells. The skeletons are of animals.
  • These cells were used to hold test subjects prior to splicing. There are 6 cells and they are all locked. The key to the cells is in the Splicing Room (2c).
• There is a small barred window on the west wall. It is covered up from the outside. The window is covered up by a painting in the Entrance Hall (1a).

2a. Hall Two

A simple hall with a staircase and one door on the west wall.

Exits: C [s], F [s], W

Connections: Entrance Hall [s] (1a), Workshop [s] (3a), Tailoring Room (2b)

2b. Tailoring Room

There is a man-sized wooden construct in this room. There is also equipment for tailoring in here, including some tables, a mannequin, and various tools and thread.

Exits: N [x], E

Connections: Splicing Room [x] (2c), Hall Two (2a)

• Wooden Construct. The construct has three legs with wheels for feet. For hands it has scissors and a needle with a spool of thread attached. This is a Wood Golem designed to aid Phoebe in her fashion projects. It is non-aggressive unless provoked.
  • It knows where the key to the Splicing Room is but will not leave its station to fetch it.
• The north door leading to the Splicing Room (2c) is locked. The key is found on the Bone Golems in the Workshop (3a) and the Guards in the Guard Room (4a).

2c. Splicing Room

(If entering from east side) There is an archway opening up to a large room, where you can spot a construct built from bits of organic tissue. There is a window in the outer wall with a sink underneath it. (If entering from west side) This is a large room containing medical equipment and two large wooden tables. There is a construct in the corner and it is built from bits of organic tissue. In the very centre of the room is a queer cage.

Exits: S, C [s]

Connections: Tailoring Room (2b), Pre-Op Cells [s] (1d)

• Construct. The construct looks like it is comprised largely of human body parts stitched together. It has long bony fingers. This is a Flesh Golem designed to aid Phoebe in splicing operations. It is non-aggressive unless provoked.
• Window. The window is for disposing of dirty water from the sink. It is just big enough that someone could climb in or out of it.
• Sink. There is a bucket of water and some soap nearby. This is for sanitation before operations.
• Medical Equipment. Located on shelves mostly. Scalpels, bandages, saws, sutures etc. can be found here.
• Wooden Tables. These are used for operating. One of them has the key to the Cells on level 1 lying on it.
• Cage. It is made out of iron and has an unlocked door. In the middle are two thick cables that attach to a wheel on the ceiling of the room and disappear into the floor. This is a mechanically operated lift. It is not able to be used right now as the mechanism that drives it is disconnected and located in the Engine Room (5b).
  • The cables are able to be cut, sending the lift plummeting down into the ground floor.
  • When the lift is operational, speaking the number of the level you wish to travel to will make the lift take you there.

Compared to just a block of text, this layout is easier to read, and makes it easier to find the information you need. I'm sure there are further improvements that can be made to this method, and I'm sure there are lots of adventure modules out there which have much better layout than this, but this is just my best attempt at cleaning things up.

The Drowned Lands as a hex crawl

I'm planning to run Patrick Stuart's Deep Carbon Observatory this year.  As much as I adore Scrap Princess's artwork, I find the maps in DCO to be very difficult to use.  So I have gone ahead and used Hex Kit to turn The Drowned Lands into a hex-crawl type map.  It's not perfect but I think it does the job.

Deep Carbon Observatory
Hex Kit

The Path-Monster

Imagine you have been trekking through wild, untamed forest for several days, seeing no signs of civilisation and navigating by the sun only. The sun is low in the sky now and soon you will have to choose between making camp for the night and risking ambush, or attempting to carry on using your limited knowledge of the stars to find your way. You notice something in the distance – a thin brown line cutting through the forest. You are filled with relief to have finally found a path through the forest. It isn't quite going in the direction you were heading, but you are so thrilled to have found an even surface to walk on that you decide follow it anyway.

It goes on for hours, maybe even days. You realise soon that you will not reach your destination by this route, and start backtracking. After a while the terrain becomes unfamiliar. Was that big rock there when you first passed through? You panic, and begin to walk faster. You have become utterly lost, but continue to follow the path since it is your only hope of finding your way back. You never will.

The Path-Monster was created by some long dead sorcerer as a way to keep pesky travellers away from their hideout. It takes the form of a dirt path, but unlike a path it can move along the ground like a great snake. It exists only to carry out the will of the sorcerer who created it – and that is to lead travellers astray. In the deep, dark forest there are few paths to tread, and so the appearance of a nice flat path to follow is almost irresistible. Travellers would follow it, and the Path-Monster would lead them in circles, or into a dead end, or off a cliff. If they tried to turn back the road would change position and lead them even further awry. Once this happened there was little chance of them finding their way back.

The Path-Monster continues to do its duty, long after its master has passed on, and will continue to do this forever. Locals and adventurers who are familiar with the area know that there are no true paths through the bush. When they spot an alluring road ahead, they turn and go the other way.